{"id":153457,"date":"2023-03-02T13:30:30","date_gmt":"2023-03-02T13:30:30","guid":{"rendered":"https:\/\/staging.culture.org\/?p=153457"},"modified":"2023-06-12T13:33:44","modified_gmt":"2023-06-12T13:33:44","slug":"the-last-of-us-marks-the-end-of-the-streaming-revolution","status":"publish","type":"post","link":"https:\/\/culture.org\/gaming\/the-last-of-us-marks-the-end-of-the-streaming-revolution\/","title":{"rendered":"The Last of Us Marks the End of the Streaming Revolution"},"content":{"rendered":"
The introduction of streaming services revolutionized the way we watch TV, providing unlimited access to content at a low monthly cost.<\/p>\n
However, the glory days of streaming seem to be coming to an end. As the major players battle for subscribers, rising subscription prices and censorship are becoming an increasingly common reality.<\/p>\n
The removal of a critically acclaimed animated show called \u201cInfinity Train\u201d from HBO Max is an example of censorship in the streaming world.<\/p>\n
After working on the show extensively, Lindsay Katai learned that the show was removed through Twitter.<\/p>\n
HBO Max scrubbed every mention of the show from its social media accounts. This act of censorship is not unique to \u201cInfinity Train\u201d and other TV shows and movies could be deleted without any warning or chance for future viewing.<\/p>\n
The new reality of censorship in the streaming world has led to anxieties for creators, which have been reflected in TV shows.<\/p>\n
HBO\u2019s dark dramedy \u201cBarry\u201d features a subplot where Sally creates a TV series for a fictional streaming service called BanShe.<\/p>\n
Sally\u2019s show is canceled after only 12 hours, showing how quickly a show can be removed from a streaming service without any explanation.<\/p>\n
As streaming services increasingly focus on profits, creativity has been hindered by the need to cut costs.<\/p>\n
The fear of having a show deleted, coupled with the fact that viewers may never have access to the shows again, leads to a decrease in creative opportunities for TV writers and producers.<\/p>\n
Furthermore, streaming services are moving towards becoming more similar to the broadcast networks and cable networks that existed before.<\/p>\n \r\n \r\n \r\n \r\n
According to Tim Doyle, a TV writer and producer, the quality of streaming shows, both comedies and dramas, is destined to decline as companies need to find a way to cut costs and increase profits.<\/p>\n <\/span>\r\n\r\n
While streaming services have prioritized a premium product, it is not a sustainable business model.<\/p>\n
As a result, some shows are expected to decline in quality as budgets get tighter.<\/p>\n
Streaming services\u2019 biggest issue currently is the battle for subscribers.<\/p>\n
Major players are struggling to find a way to maintain the current number of subscribers, leading to rising subscription prices and the introduction of commercials.<\/p>\n
As a result, streaming services are becoming more similar to cable networks that existed before.<\/p>\n
Warner Bros. Discovery plans to cut shows from its archives and unfinished movies from HBO Max as it prepares to merge with Discovery+.<\/p>\n
Meanwhile, Netflix plans to add an advertising-supported model for a lower price and may crack down on password sharing.<\/p>\n
Additionally, Disney Plus, Hulu and ESPN Plus, which can all be subscribed to in a cable-esque bundle, are raising prices after taking a more than $1 billion hit in the fiscal third quarter.<\/p>\n
HBO\u2019s Sunday night programming has been a staple in the entertainment industry for over a decade.<\/p>\n
However, the streaming world is evolving, and HBO Max is at the forefront of the change.<\/p>\n
The impending merger with Discovery+ has caused anxiety for fans of the premium cable network, wondering if it will continue to maintain its identity.<\/p>\n
As the final episodes of The Last of Us airs on HBO, fans can\u2019t help but feel a sense of dread.<\/p>\n
The show feels like the final salvo of a particular era of HBO Sunday night programming, with its genre roots and prestige TV gloss.<\/p>\n
Although HBO and its End-of-the-Weekend Bummer Salve lineup aren\u2019t going anywhere, it stands to be one of the last breakout shows to premiere before HBO Max merges with content from Discovery+.<\/p>\n
HBO content chief Casey Bloys is at the forefront of building the new streaming service that combines HBO\u2019s content with Discovery+.<\/p>\n
The new uber-streamer will bring much of the company\u2019s content onto one service.<\/p>\n
While the platform remains unnamed, \u201cMax\u201d appears to be the front-runner, which Bloys is OK with, given the kinds of shows often associated with HBO.<\/p>\n
The goal is to \u201cpreserve and protect the HBO brand,\u201d according to Bloys.<\/p>\n
Many HBO shows, including beloved sci-fi series like Westworld, have already been shelved on HBO Max.<\/p>\n
As the newly formed operation goes through a lot of changes, it\u2019s easy to worry that the experience of watching HBO Max isn\u2019t long for this world.<\/p>\n
This preemptive nostalgia might be a bit overwrought, but the popularity of The Last of Us signals that watching HBO in any incarnation has stayed pretty consistent.<\/p>\n
HBO\u2019s identity has been ascribed to a cable network, but it\u2019s clear that the network\u2019s streaming service has evolved into something more.<\/p>\n
With the upcoming merger with Discovery+, fans are left wondering what the future holds for the HBO brand.<\/p>\n
The future of streaming remains uncertain, with a likely return to cable-like services.<\/p>\n
The introduction of commercials, rising subscription prices, and censorship issues are becoming increasingly common.<\/p>\n
The need to cut costs to maximize profits will also likely hinder creativity, as streaming services move towards familiar practices.<\/p>\n
The streaming revolution appears to be coming to an end as major players are losing money, and it becomes more challenging to find ways to make the services profitable.<\/p>\n
In conclusion, streaming services are facing an existential crisis, as the revolutionary zeal that drove its initial expansion fades.<\/p>\n
The battle for subscribers, coupled with the need to cut costs and maximize profits, is leading to censorship and declining creativity.<\/p>\n
The future of streaming services remains uncertain, with a likely return to cable-like services.<\/p>\n \r\n \r\n \r\n Sign Up for Weekly Dose of Culture!<\/h3>\r\n \r\n
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