Ancient Egyptian Tattooing<\/strong><\/h2>\nIn ancient Egypt, tattoos were mostly found on women<\/strong>, often related to safeguarding during pregnancy and childbirth. The designs were typically dotted patterns, lines, and diamond shapes, using dark or black pigments like soot. Interestingly, tattoos in ancient Egypt and neighboring cultures like the Nubians and Libyans were sometimes status symbols or cultural markers\u200b\u200b.<\/p>\nGlobal Dispersion and Evolution<\/strong><\/h2>\nThe Pazyryks, formidable Iron-Age horsemen and warriors of Eastern Europe and Western Asia, showcased elaborately tattooed mummies dating back to the 6th to 2nd century BCE<\/strong>. This reflects the wide geographical spread and cultural significance of tattoos.<\/p>\nTattooing practices likely spread through migration and nomadic peoples<\/strong>, such as gypsy tribes in India and the Middle East, and the Scythians from Siberia to Eastern Europe. This dissemination led to a variety of tattoo designs and practices across different cultures\u200b\u200b.<\/p>\nModern Era and Western Influence<\/strong><\/h2>\nThe 20th century marked a significant shift in the perception and practice of tattoos. They transitioned from being associated with subcultures to becoming a widely accepted form of personal expression<\/strong>. This period saw the rise of professional tattoo parlors and the emergence of the tattoo artist as a respected craft. Technological advancements like the electric tattoo machine and the diversification of ink types facilitated this transformation\u200b\u200b.<\/p>\nUltimately, the history of tattoos is really interesting. It started a long time ago in places like Japan, China, and Egypt. Tattoos were used for many reasons like showing who you are, protecting yourself, or even as art. Over time, tattoos became popular all around the world. Now, they are a way for people to express themselves and are a big part of modern culture. It’s amazing to see how tattoos have changed and become important in so many different ways.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10028,"featured_media":170137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[411],"tags":[3844],"class_list":["post-169465","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-special-interest","tag-tattoo-history"],"acf":[],"_links":{"self":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/169465"}],"collection":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/users\/10028"}],"replies":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/comments?post=169465"}],"version-history":[{"count":0,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/169465\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media\/170137"}],"wp:attachment":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media?parent=169465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/categories?post=169465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/tags?post=169465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}