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Art & Culture

AI Art Exhibition Stirs Controversy and Intrigue at Gagosian Gallery

  • Craig Miller
  • |
  • March 29, 2023
  • |
  • 3 minute read
  • |
AI Art Exhibition Stirs Controversy and Intrigue at Gagosian Gallery

Key Takeaways
  • Gagosian Gallery in New York hosts an exhibition featuring AI-generated art by DALL-E, curated by Oscar-nominated filmmaker Bennet Miller.
  • DALL-E, which uses machine learning algorithms to transform text prompts into images, challenges traditional notions of creativity and the role of the artist in the creation process.
  • The images generated by DALL-E evoke a sense of memory and AI technology, raising questions about "realness" in art and authenticity.
  • Fran Lebowitz, a notable attendee, questioned whether a photograph's authenticity relies on the technology used to create it or the artist's intention behind it.
  • The exhibition highlights the intersection of art and AI technology, prompting reflection on the future of creativity and the role of AI in art.

The art world has been abuzz with the potential implications of AI-generated art, as Gagosian Gallery in New York recently opened an exhibition featuring works by DALL-E, a state-of-the-art AI image generator created by OpenAI.

The exhibition is curated by Oscar-nominated filmmaker Bennet Miller, known for Foxcatcher (2014) and Capote (2005), and has attracted the attention of both critics and art enthusiasts alike.

AI Technology Meets Artistic Creativity

DALL-E, named after the famed surrealist artist Salvador Dalí and Pixar’s robot character WALL-E, uses advanced machine learning algorithms to transform text prompts into bespoke images.

This AI technology has produced a wide range of images in various styles and aesthetics, resulting in a unique collection of seemingly genuine yet evasive art.

The exhibition explores the shifts in how we understand representational artwork in the age of AI and raises questions about the nature of creativity and the role of the artist in the creation process.

The images generated by DALL-E in Miller’s exhibition vary from the obviously flawed to the hauntingly accurate, with some resembling vintage photographs or charcoal drawings.

While many of the works on display appear to capture landscapes and children from a distant era, the haziness of the images evokes a sense of memory and AI technology, rather than a specific time and place.

The use of AI-generated images has challenged the traditional notions of authenticity and the creative act, leading to discussions about the role of the artist and the need for a real-world referent in art.

AI and the Question of “Realness”

As the exhibition has garnered attention, the question of “realness” in art has become a central point of debate.

The use of AI-generated images has challenged the traditional notions of authenticity and the creative act, leading to discussions about the role of the artist and the need for a real-world referent in art.

One notable attendee at the exhibition, Fran Lebowitz, mused on the issue of realness in photography: “Are the only real photographs the ones made on film, not the digital ones? My friend Peter Hujar would say so.”

This raises the question of whether a photograph’s authenticity relies on the technology used to create it or the artist’s intention behind it.

The Role of AI in Art and the Future of Creativity

The Gagosian exhibition has not only showcased the capabilities of AI image generators like DALL-E but has also prompted reflection on the future of creativity and the role of AI in art.

As new AI technologies continue to develop, the art world must grapple with the implications of these tools and their potential impact on the creative process.

The exhibition, eponymously titled “Bennett Miller,” is a testament to the intersection of art and AI technology and the ongoing debate surrounding the nature of creativity in the era of artificial intelligence.

The show will run at Gagosian’s 976 Madison Avenue location in New York until April 22.

 

Craig Miller

Craig Miller

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